Monday, December 5, 2011

No. 18 TCU beats UNLV 56-9 for perfect MWC ending

TCU quarterback Casey Pachall (4) looks for a open teammate in the first half of an NCAA college football game against UNLV, Saturday, Dec. 3, 2011, in Fort Worth, Texas. (AP Photo/Brandon Wade)

TCU quarterback Casey Pachall (4) looks for a open teammate in the first half of an NCAA college football game against UNLV, Saturday, Dec. 3, 2011, in Fort Worth, Texas. (AP Photo/Brandon Wade)

UNLV linebacker Perry Cooper (56), left, and defensive back Quinton Pointer (10) combine to bring down TCU running back Ed Wesley (34) in the first half of an NCAA college football game, Saturday, Dec. 3, 2011, in Fort Worth, Texas. (AP Photo/Brandon Wade)

TCU running back Matthew Tucker (29) steps over UNLV linebacker Princeton Jackson (40) and gets past the rest of the Rebels defensive line to score a touchdown in the first half of an NCAA college football game, Saturday, Dec. 3, 2011, in Fort Worth, Texas. (AP/Brandon Wade)

UNLV running back Tim Cornett (35) is stopped by TCU safety Devin Johnson (26) in the first half of an NCAA college football game, Saturday, Dec. 3, 2011, in Fort Worth, Texas. (AP/Brandon Wade)

TCU running back Matthew Tucker (29) steps over UNLV linebacker Princeton Jackson (40) and gets past the rest of the Rebels defensive line to score a touchdown in the first half of an NCAA college football game, Saturday, Dec. 3, 2011, in Fort Worth, Texas. (AP/Brandon Wade)

(AP) ? Greg McCoy returned a kickoff 99 yards and Kris Gardner had a 16-yard interception return for a touchdown in a 12-second span, and the 18th-ranked TCU Horned Frogs could bust into the BCS again after a 56-9 victory over UNLV in their Mountain West Conference finale Saturday.

TCU (10-2, 7-0 MWC) wrapped up its third consecutive outright Mountain West title, winning its last 24 games in that league before moving to the Big 12 next season.

The consecutive TD returns by McCoy and Gardner just before halftime came about the same time Southern Miss was wrapping up a 49-28 victory at previously undefeated Houston in the Conference USA championship game.

If the Frogs move up two spots into the top 16 of the final Bowl Championship Series standings Sunday, they will be virtually guaranteed to go to their third consecutive BCS game.

UNLV (2-10, 1-6) finished with five consecutive losses.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/347875155d53465d95cec892aeb06419/Article_2011-12-03-T25-UNLV-TCU/id-c923de7be1d94fd89ddb025085147761

olin kreutz olin kreutz

Sunday, December 4, 2011

CyberLink PowerDirector 10


When you're creating a movie, whether you're James Cameron or Joe Schmoe, the last thing you want to do is wait. Sure, you want powerful, easy-to-use video editing tools, but you also want to see the effects of your edits and enhancements as soon as possible. This is where CyberLink PowerDirector continues to hold an edge over other consumer video-editing software. It blows through previewing and rendering digital movies where others stall and stutter. But PowerDirector offers more than speed alone: its interface is among the easiest to use, and its raft of special effects and adjustments at least equals and in many cases exceeds those of its peers, including Adobe Premiere Elements 10 ($99.99, 3.5 stars) and Sony Vegas Movie Studio ($94.95, 3 stars).

Install
CyberLink is a Windows-only app, running on any flavor of that operating system from XP SP2 to Windows 7. Its installer file is 562MB, so don't expect it to appear instantaneously as you would with a browser, especially if you're downloading it. You'll also need a good deal of free disk space?up to 60GB if you're planning to burn Blu-ray HD discs. You'll probably want to sign up for a DirectorZone account, too, which gives you access to user-contributed effects and another place to post your videos besides YouTube. Some of PowerDirector's graphics hardware acceleration may require a driver supplementary installation for your graphics card, as my ATI Radeon HD 4290 did. And finally, you'll probably want to download more disc themes, effects, and titles in two Content Packs to get all the program has to offer.

Interface
New for PowerDirector 10 is a welcome screen that offers buttons for the full video editor, the easy editor, and the slideshow creator. This also lets you choose whether you want your project to have a 16:9 widescreen aspect ratio or standard-def 4:3. Unlike Adobe Premiere Elements' welcome screen, this one doesn't cause much of a delay to your getting to the program, and also unlike Adobe's consumer video editor, you can bypass it completely via a check box.

The actual editor interface uses three panels, with the top divided in half between source and effect content and a preview window and the bottom taking up the timeline or storyboard. You can resize each panel relative to the other, but you can't drag them out to a separate window ad you can with Corel VideoStudio. The storyboard view in PowerDirector is one of the program's few weak points: It's just thumbnails, with no ability to add transitions or other effects. It does let you insert clips, but if you try to add a transition, the view will be switched to timeline. I'd almost recommend CyberLink to ditch the storyboard until it's more useful. Some other video editors, such as Sony Vegas Movie Studio, dispense with it.

Import
CyberLink's Capture mode makes it simple to get video content from just about any device that can create video, each clearly represented by icons?DV camcorder, HDV camcorder (including AVCHD), digital or analog TV, attached webcam, microphone, or external device. Another option is to grab content from Flickr. But you don't even need to use this mode if your clips are in a file folder or on an attached storage device?just click the folder icon in Edit mode. When you import HD video, a dialog asks if you want the program to create shadow copies, or lower resolution versions to speed up the editing process. This is a good technique that can make video editing less painful, and, in my testing, the video preview it produced wasn't as degraded as that in Adobe Premiere Elements.

Another strength of PowerDirector is the wide range file types it can import. Not only all the standard video formats, but even camera raw files (which the program converts to JPG) and the latest 3D formats (including MVC and Dual-Stream AVI) are supported.

One of the few areas where Premiere Elements beats PowerDirector is in the former's ability to apply tags?includign auto-generated tags?to video for things like faces, blurriness, or shakiness. PowerDirector does offer a comment field for clips you import, but it's not as simple or useful as Premiere's tagging.

Basic Video Editing
PowerDirector makes it easy to fix the lighting, color, and stabilize your video, from the Fix/Enhance button above your timeline. The trim tool allows precise control (down to the individual frame) with two sliders, and the multi-trim tool lets you mark several In and Out points on your clip?something I'm surprised and chagrined to report that isn't available in most competitors. But if you're not fussy, you can just delete a selected part of a clip right in the timeline.

Splitting video and deleting sections are a pleasure, with PowerDirector's unique and intuitive selection cursor. Sony Vegas Movie Maker doesn't offer the excellent control of PowerDirector's double sliders or its scene detection. Fix/Enhance also includes video denoise, audio denoise, and enhancements to punch up color and sharpness. You can independently adjust the brightness, contrast, hue, saturation, sharpness, and white balance. And for each of these adjustments, you can set keyframes to designate when it should be turned on and off. Premiere Elements makes you choose separate effects for each of these, rather than offering PowerDirector's unified Fix/Enhance options.

Instant Video Editing
One of the new welcome dialog's choices is Easy Editor, which opens the Magic Movie Wizard. This is a template-based editor that makes your job easier. Only four themes were available by default, but you can download more from DirectorZone, CyberLink's online resource. After choosing a style, you can add a background music from your computer, and change the video length to match. Other apps include more in the way of canned music to add to their instant projects. A nice capability is a slider that lets you adjust the balance between the video and background sound. After this, you get a preview, with transitions and effects added. The results were a bit hokey for me, but some will find them fun. After you've previewed the Magic Movie, the final step is to produce it by outputting to a file or burning to disc. Alternatively, you can open it in the advanced editor for fine-tuning.

A couple more Magic tools may be of interest: Magic Fix and Magic Cut. The first stabilizes and enhances audio and image quality, while the latter finds the most interesting parts of a clip and cuts out the rest. This last lets you match a clip to a music track's length, and even lets you set criteria like favoring sections with zooming and panning or with people speaking or moving objects. It worked as advertised in my testing, and offers a handy way to ditch boring stretches in your video clips.

Source: http://feedproxy.google.com/~r/ziffdavis/pcmag/~3/3YqYMyzhXQA/0,2817,2372982,00.asp

eagles cowboys trick or treat times trick or treat times madoff bernie madoff anna chapman kim kardashian

93% Hugo

All Critics (147) | Top Critics (38) | Fresh (137) | Rotten (10)

Scorsese transforms this innocent tale into an ardent love letter to the cinema and a moving plea for film preservation.

'Hugo': Scorsese's humbling hommage to his favorite art

Thematic potency and cinematic virtuosity -- the production was designed by Dante Ferretti and photographed by Robert Richardson -- can't conceal a deadly inertness at the film's core.

For all the wizardry on display, Hugo often feels like a film about magic instead of a magical film...

I have seen the future of 3-D moviemaking, and it belongs to Martin Scorsese, unlikely as that may sound.

It's a fairy tale for mature viewers, but the airy exterior hides emotional depth.

The lesson to be learned is that [Scorsese] should stick to what he knows best, for Hugo won't appeal to anyone, least of all kids.

The on-screen craftsmanship is impeccable, from Robert Richardson's stunning cinematography to Dante Ferretti's production design and Sandy Powell's costumes.

Hugo is cinema shining a light reverently up its own fundament.

A dreamy triumph for Scorsese

The film demands patience from children and adults alike -- in fact, it's simply too slow for young viewers -- but like great literature, if you immerse yourself in it, the rewards are plentiful.

As a crazy mix of Cinema Paradiso, Cronos and David Copperfield it's unusually stimulating family fare.

The man responsible for Raging Bull, Taxi Driver and GoodFellas has tackled his first family film. Not only that: it's in 3-D, and a must-see for anyone who loves cinema.

The heart-shaped story may be the key that sets Hugo in motion, but this rediscovery of the cin?ma de papa is most memorable for its technical wizardry and astonishing visual trickery.

Hugo's best moments are those that aren't actually Hugo.

It is glorious to be thrown and blown about in this make-believe metropolis. The digitally enhanced shapes and colours suggest Jeunet and Caro reworked by a polychromatic Piranesi.

As soon as the lights went up in the theater, I told my viewing companions that I honestly felt that seeing the film was a privilege.

[T]here's certainly much to admire here... [but] Hugo feels like two very different films inelegantly spliced together...

It's possible to see the attraction, but when people break into applause over the credits, some are going to be left cold.

It's a deeply felt piece of work, something which only Scorsese could have brought to the screen...

Beautifully photographed and well acted but the storyline, especially when Kingsley's character takes center stage, is tediously tiring

Martin Scorsese unleashes his devotion to the magic of movies with a zeal that is enchanting.?

For youngsters with a secret sense of wonder about how the world works, Scorsese is offering a golden key to a limitless world of make-believe.

A masterpiece of visual storytelling and a heartfelt homage to the industry that Scorsese has triumphantly made his own.

Beautifully made and superbly acted, Hugo features terrific 3D effects and stands as a charming love letter to silent cinema, but it's let down by a weak central plot and the script never quite connects on an emotional level.

More Critic Reviews

Source: http://www.rottentomatoes.com/m/hugo/

mists of pandaria mists of pandaria 20 20 war in iraq war in iraq gunner kiel

Saturday, December 3, 2011

Prince William, Kate named as Olympic ambassadors

(AP) ? Prince William, his wife Kate Middleton and brother Prince Harry will be official ambassadors to the 2012 London Olympic Games, royal officials said Thursday.

St. James's Palace said that all three will play a leading role in "encouraging and inspiring the British public to rally behind the 900 Olympic and Paralympic athletes" competing for Britain.

They also will use their roles to encourage greater awareness of Olympic and Paralympic values, the palace said.

The royals join 27 British Olympians from previous games who were unveiled as 2012 ambassadors by the British Olympic Association earlier this year.

In a message released by the palace, William said he feels honored to have been chosen and that his entire family is looking forward to the games.

"London hosting the 2012 Olympic and Paralympic Games will inspire so many people ? particularly the young ? to be the best they can be," he said.

The young royals will be opening the latest chapter in the monarchy's longstanding ties to the games.

Queen Elizabeth II is patron of the British Olympic Association while Princess Anne ? who competed in the 1976 Montreal games as an equestrian ? is its president, a member of the International Olympic Committee and a member of the London Organizing Committee for the Olympic Games.

Anne's daughter, Zara Phillips, is a world-class equestrian who hopes to compete in the London 2012 games.

The London Olympics begin July 27 and end Aug. 12.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/347875155d53465d95cec892aeb06419/Article_2011-12-01-OLY-London-2012-Royals/id-de7086dc00fd44d694b30ca508a7eca0

philadelphia eagles vince young vince young john carter trans siberian orchestra trans siberian orchestra little big town

Friday, December 2, 2011

Logitech Wireless BoomBox for the iPad Review

I have reviewed more than a few speaker systems over the years. Many of these speaker systems are still situated in various rooms of our house providing music while I putter around the garage, workout, fold laundry, get in the Holiday mood, etc. The speaker system I use most is the Altec Lansing iMT800 MIX [...]

Source: http://the-gadgeteer.com/2011/11/30/logitech-wireless-boombox-for-the-ipad-review/

bears lions bears lions kendall jenner neville neville heavy d heavy d